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Showing posts with label <b>Michael Lally</b>. <a href="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/">Show all posts</a>
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<h2 class='date-header'><span>Monday, July 15, 2013</span></h2>

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<a href="http://www.michaellally.com/images/new_Lal.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/images/lh3.googleusercontent.com/proxy/dS7SZWrexA14hMS5f27Hffy5bEjGqsBUaBwxBgCCmdLC44OW01XcXUwIlcGxun9WQomjDYh7S8aTiP_eL4Bdmzmn%3Ds0-d" width="328"></a></div>
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<b><span style="color: #0d0d0d; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 16.0pt; line-height: 250%; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;"><a href="http://lallysalley.blogspot.com/"><span style="color: #0d0d0d; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">Michael</span></a>
<a href="http://www.michaellally.com/"><span style="color: #0d0d0d; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">Lally</span></a><br />
</span></b><a href="http://download.kcrw.com/audio/396098/bw_2010-08-18-204238.6929.mp3"><b><span style="color: red; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 14.0pt; line-height: 250%;">interviewed</span></b></a><b><span style="color: #0d0d0d; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 14.0pt; line-height: 250%; mso-themecolor: text1; mso-themetint: 242;"><br />
</span></b><span style="color: #0d0d0d; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 12.0pt; line-height: 250%; mso-themecolor: text1; mso-themetint: 242;">by </span><a href="http://www.kcrw.com/people/silverblatt_michael?role=host"><span style="color: #0d0d0d; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 12.0pt; line-height: 250%; mso-themecolor: text1; mso-themetint: 242;">Michael</span></a><span style="color: #0d0d0d; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 12.0pt; line-height: 250%; mso-themecolor: text1; mso-themetint: 242;"> </span><a href="http://en.wikipedia.org/wiki/Michael_Silverblatt"><span style="color: #0d0d0d; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 12.0pt; line-height: 250%; mso-themecolor: text1; mso-themetint: 242;">Silverblatt</span></a><span style="color: #0d0d0d; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 12.0pt; line-height: 250%; mso-themecolor: text1; mso-themetint: 242;"><br />
on </span><a href="http://www.kcrw.com/etc/programs/bw"><i><span style="color: #0d0d0d; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 12.0pt; line-height: 250%; mso-themecolor: text1; mso-themetint: 242;">Bookworm</span></i></a><i><span style="color: #0d0d0d; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 12.0pt; line-height: 250%; mso-themecolor: text1; mso-themetint: 242;"><br />
</span></i><span style="color: #0d0d0d; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 12.0pt; line-height: 250%; mso-themecolor: text1; mso-themetint: 242;">2010<o:p></o:p></span></div>
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<a class='timestamp-link' href='https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/2013/07/blog-post_15.html' rel='bookmark' title='permanent link'><abbr class='published' itemprop='datePublished' title='2013-07-15T00:00:00-04:00'>Monday, July 15, 2013</abbr></a>
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<a href='https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/search/label/Interviews' rel='tag'>Interviews</a>,
<a href='https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/search/label/Michael%2520Lally' rel='tag'>Michael Lally</a>
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<h2 class='date-header'><span>Friday, September 27, 2002</span></h2>

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<span style="font-family: Arial;">I pulled out Michael <span class="SpellE">Lally&#8217;s</span> <i style="mso-bidi-font-style: normal;">None of the
Above: New Poets of the USA</i> (Crossing Press, 1976), searching for that quote
I used from Jim Gustafson in my note about Joseph Massey&#8217;s <i style="mso-bidi-font-style: normal;">Minima St.</i> But instead of putting the anthology back after getting
what I needed, I&#8217;ve left it sitting on my desk and have been rereading it for
the first time in years. <o:p></o:p></span></div>
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<span style="font-family: Arial;">The book is a juicy time
capsule, an excellent cross section of literary tendencies that were active
among younger poets during the middle of that decade. Most visible are a
somewhat blurry, already diverging version of the New York School (Phillip
Lopate, Paul Violi &amp; Hilton Obenziner from the uptown scene*, Alice Notley,
Maureen Owen &amp; Bernadette Mayer from St. Marks, a pre-Texas Lorenzo Thomas,
Joe Brainard), langpo (Mayer of course, Bruce Andrews, Ray <span class="SpellE">Di</span>
Palma, P. Inman, Lynne Dreyer, yours truly) &amp; a post-Iowa but &#8220;anti-workshop&#8221;
phenomenon of the period that for want of a better term was called Actualism in
those days: Darrell Gray, George Mattingly, Dave Morice and Gustafson. In
addition to Inman &amp; Dreyer are three other </span><st1:place><st1:city><span style="font-family: Arial;">Washington</span></st1:city><span style="font-family: Arial;">, </span><st1:state><span style="font-family: Arial;">D.C.</span></st1:state></st1:place><span style="font-family: Arial;"> poets of the period: Ed Cox, Tim <span class="SpellE">Dlugos</span>
and Terence Winch. The collection also contains some poets who are
exceptionally difficult to categorize: Barbara <span class="SpellE">Baracks</span>,
who departed from the poetry scene &amp; the Bay Area just as language writing
was gathering steam; Merrill <span class="SpellE">Gilfillan</span>, who has gone
on to become one of the finest nature writers we have; Joanne Kyger, a literary
renaissance all to herself**; <a href="http://www.absolutearts.com/artsnews/2002/09/27/30329.html">Patti Smith</a>,
just at the cusp of rock stardom; Nathan Whiting, a fascinating loner who used
to compose long, skinny texts in his head while running great distances***; and
of course the editor, Michael Lally, whose own activity in Baltimore &amp;
Washington had proven a catalyst for a lot of the younger poets there but who
by the mid 1970s had moved to New York before re-emerging in Los Angeles, working
as an actor under the name <a href="http://us.imdb.com/Name?Lally,+Michael+David">Michael David Lally</a> in
TV and films.<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Arial;">Twenty-six years shifts
perceptions around a bit, so that one reads these texts to some degree knowing
which writers one still reads with interest and enthusiasm a quarter century
hence. <span class="SpellE">Lally&#8217;s</span> own interests and blinders are evident
enough &#8211; that is a remarkably East Coast version of langpo, for example. And
with the exceptions of Kyger and <span class="GramE">myself</span>, writers whose
linkage to the New American poetry is to anything other than the </span><st1:state><st1:place><span style="font-family: Arial;">New York</span></st1:place></st1:state><span style="font-family: Arial;"> school are notably absent. <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Arial;">What intrigues me today is
the fate of Actualism, which as a phenomenon has largely disappeared over the
past two decades. The term itself was taken from the Actualist Conventions put
on in </span><st1:city><st1:place><span style="font-family: Arial;">Berkeley</span></st1:place></st1:city><span style="font-family: Arial;"> at the theater of the Blake Street Hawkeyes.
Coordinated by poet G.P. <span class="SpellE">Skratz</span> and the Hawkeyes,
these annual weekend-long marathons included all manner of performance &#8211; Whoopi
Goldberg was a Hawkeye in the early 1980s &#8211; while the poetics were heavily
influenced by the teaching and writing of Ted Berrigan &amp; Anselm Hollo, as
well as by Andrei Codrescu, then a recent arrival to SF from Detroit. In
addition to the poets included in the Lally anthology, Pat Nolan, Keith Abbott,
Jim <span class="SpellE">Nisbet</span> and Victoria <span class="SpellE">Rathbun</span>
were among the most visible in the Bay Area. <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Arial;">Perhaps the most important
thing to note is that Actualism was an <i style="mso-bidi-font-style: normal;">-ism</i>
that never sought to be any sort of movement &#8211; the anarcho /
anti-organizational impulse was very strong. If anything, the Actualist
Conventions were themselves a spoof of the least attractive aspect of their
surrealist predecessors+. The one other serious manifestation of the phenomenon
was an even smaller <i style="mso-bidi-font-style: normal;">Actualist Anthology</i>
(1977, The Spirit That Moves Us), edited by Gray &amp; Morty Sklar. <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Arial;">On some level, Actualism
might be thought of as how the impact of Ted Berrigan resonated through </span><st1:city><st1:place><span style="font-family: Arial;">Iowa City</span></st1:place></st1:city><span style="font-family: Arial;"> to </span><st1:city><st1:place><span style="font-family: Arial;">San Francisco</span></st1:place></st1:city><span style="font-family: Arial;">. While it was extremely powerful in the 1970s, it&#8217;s
harder to see a quarter century later. One might make a similar case for the
influence Berrigan had on </span><st1:city><st1:place><span style="font-family: Arial;">Chicago</span></st1:place></st1:city><span style="font-family: Arial;">
and look to the Yellow Press anthology, also from 1976, called <i style="mso-bidi-font-style: normal;">15 </i></span><st1:city><st1:place><i style="mso-bidi-font-style: normal;"><span style="font-family: Arial;">Chicago</span></i></st1:place></st1:city><i style="mso-bidi-font-style: normal;"><span style="font-family: Arial;"> Poets</span></i><span style="font-family: Arial;">.<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
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<span class="SpellE"><span style="font-family: Arial;">Nisbet</span></span><span style="font-family: Arial;"> has gone on to become a novelist of neo-noir
thrillers, Abbott &amp; Mattingly teach at </span><st1:place><st1:placename><span style="font-family: Arial;">Naropa &amp; New</span></st1:placename><span style="font-family: Arial;"> </span><st1:placetype><span style="font-family: Arial;">College</span></st1:placetype></st1:place><span style="font-family: Arial;">, respectively, Morice continues his Dr. Alphabet routines, and <span class="SpellE">Skratz</span> &amp; Nolan still pop up in print from time to time.
But Gray drank himself to death with an intensity that was terrifying,
Gustafson returned to </span><st1:city><st1:place><span style="font-family: Arial;">Detroit</span></st1:place></st1:city><span style="font-family: Arial;">
where he died too young of an aneurysm without ever having the breakthrough
book for which his poetry appeared to be destined, and others who were once
loosely affiliated with this phenomenon, such as Allan <span class="SpellE">Kornblum</span>,
evolved their own careers in different directions. <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Arial;">I do still sense the impact
of the Actualist frame of mind in everything from the Coffee House Books
catalog to the Exquisite Corpse website. But if you want some feel for how
Actualism fit in back in its heyday, <i style="mso-bidi-font-style: normal;">None
of the Above</i> contextualizes it best. The rare book website, <a href="http://www.abebooks.com/">abebooks</a>, lists 10 copies reasonably priced
in stores around the </span><st1:country-region><st1:place><span style="font-family: Arial;">U.S.</span></st1:place></st1:country-region><span style="font-family: Arial;"> But pay attention: there are at least three other
volumes with that same title, one subtitled &#8220;Why Presidents Fail and What Can
Be </span><st1:personname><span style="font-family: Arial;">Don</span></st1:personname><span style="font-family: Arial;">e About It,&#8221; another &#8220;Behind the Myth of Scholastic
Aptitude,&#8221; and the third by children&#8217;s book author, Rosemary Wells. <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Arial; font-size: 10.0pt;">* Although
Hilton had already moved west and was immersed in political organizing by then.
<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Arial; font-size: 10.0pt;">** An <a href="http://epc.buffalo.edu/authors/kyger/silliman.html">email</a> I sent to
Linda Russo on </span><st1:date day="28" month="4" year="1998"><span style="font-family: Arial; font-size: 10.0pt;">April 28, 1998</span></st1:date><span style="font-family: Arial; font-size: 10.0pt;"> fills in what I mean by this. It&#8217;s
part of the Joanne Kyger web page at the </span><st1:place><st1:placename><span style="font-family: Arial; font-size: 10.0pt;">Electronic</span></st1:placename><span style="font-family: Arial; font-size: 10.0pt;"> </span><st1:placename><span style="font-family: Arial; font-size: 10.0pt;">Poetry</span></st1:placename><span style="font-family: Arial; font-size: 10.0pt;"> </span><st1:placetype><span style="font-family: Arial; font-size: 10.0pt;">Center</span></st1:placetype></st1:place><span style="font-family: Arial; font-size: 10.0pt;">.<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Arial; font-size: 10.0pt;">***
Unfortunately, the anthology form, especially in this rather short collection
of 31 poets in 224 pages, didn&#8217;t permit any samples of <span class="SpellE">Whiting&#8217;s</span>
longer works.<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Arial; font-size: 10.0pt;">+ In
addition to every form of performance art imaginable, the Actualist Conventions
also included every kind of poetry. <o:p></o:p></span></div>
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<span style="font-weight: bold;">MEMOIRS &amp; COLLABORATIONS</span><br /><a href="https://www.amazon.com/Leningrad-American-Writers-Soviet-Union/dp/1562790056">Leningrad</a><br /><a href="http://www.thegrandpiano.org/">The Grand Piano</a><br /><a href="https://www.saltpublishing.com/products/under-albany-9781844710515">Under Albany</a><br /><br /><span style="font-weight: bold;">CRITICISM</span><br /><a href="http://www.spdbooks.org/Producte/0937804207/the-new-sentence.aspx">The New Sentence</a><br /><br /><span style="font-weight: bold;">ANTHOLOGY</span><br /><a href="https://secure.touchnet.com/C22921_ustores/web/classic/product_detail.jsp?PRODUCTID=327&SINGLESTORE=true">In The American Tree</a><br /><br /><br /><br />
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<br /><img alt="" src="file%3A///Users/Lynn/Desktop/silliman2a.jpg" / /><img alt="" src="file%3A///Users/Lynn/Library/Caches/TemporaryItems/moz-screenshot.png" / /><span style="color: #990000; font-weight: bold;">RON SILLIMAN</span> has written and edited 40 books, and had his poetry and criticism translated into 16 languages. Silliman was a 2012 Kelly Writers House Fellow, the 2010 recipient of the Levinson Prize from the Poetry Foundation, a 2003 Literary Fellow of the National Endowment for the Arts, a 2002 Fellow of the Pennsylvania Arts Council, and a 1998 Pew Fellow in the Arts. Silliman has a plaque in the walk dedicated to poetry in his home town of Berkeley and a sculpture in the Transit Center of Bury, Lancaster, a part of the Irwell Sculpture Trail. He lives in Chester County, Pennsylvania and teaches at the University of Pennsylvania.<br /><br /><br /><br /><br /><br /><br />(c) 2002-2019 by Ron Silliman.
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